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Carol Harrison
received a Bachelor of Science from the School of Foreign Service, Georgetown University, and a Master of Fine Arts from the University of Maryland, where she studied with John Gossage, Sam Gilliam and Claudia DeMonte, and specialized in black-and white portrait photography. Ms. Harrison is featured in 2000 Outstanding Artists and Designers of the 20th Century, Cambridge, England, Who's Who in American Art, Who's Who of American Women, Outstanding Young Women in America, among many other publications. Her photographs are included in the collections of the Virginia Museum of Fine Art, Richmond, Virginia; the Corcoran Gallery of Art; The Mississippi Museum of Art; Holocaust Museum, Washington, DC; the Ogden Museum of Southern Art, New Orleans, Louisiana; the Museum of Polish History, Warsaw, Poland; and other museums, as well as in private collections. Carol Harrison's work has been featured in numerous museum and gallery exhibitions, including one-person shows at the Kathleen Ewing Gallery, Washington, DC; the Reynolds/Minor Gallery, Richmond, VA; the National Strategy Information Center, Washington, DC; and other galleries and exhibition spaces; and in group shows in museums, exhibition spaces and galleries in the United States and abroad, including the Swedish American Museum Center, Chicago, Illinois; the Cultural Palace. Beijing, China; Marymount University, Arlington, Virginia; The Contemporary Museum, Baltimore, Maryland; the Dallas Museum of Art, Dallas, Texas; The Touchstone Gallery's National All-Media Exhibition, Washington, DC, and numerous others.
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Carol Harrison has participated as a member of The Women's Committee of The National Museum of Women in the Arts, Washington, D.C., for the past ten years, and was selected to be included in the NMWA's Registry of Women Artists. Ms. Harrison is a subscriber to The Choral Arts Society of Washington, has photographed a rehearsal in The Kennedy Center with Mr. Norman Scribner, and donated "The Thai Puppet Porfolio" to their "In the Glow of Northern Lights" Gala.
Since 1982 Carol Harrison's portraits have been showcased in The Antietam Review, an award-winning literary and photography magazine, published by the Washington County Arts Council. The Florida Department of Cultural Affairs published her photographs in Kalliope with an Artist Honorarium. Portraits by Carol Harrison, including "Lou Stovall On How People Can Make a Difference," were also published in KOAN, A Newsletter for Art Collectors and Art Professionals in the Washington, D.C. Metropolitan Area. Carol and Lou have worked together on a number on projects for thirty years, including as participating Artists in "Voice of the Praire" to benefit the Source Theatre Company in Washington, D.C. A portrait of Ed Love was included in The Photo Review's National Photographic Competition and featured in the Summer issue, Langhorne, PA.
The Phillips Collection, Washington, D.C., is America's first museum of modern art, and has selected many of Ms. Harrison's portraits of artists to use in the museum publications. The Katzen Arts Center is home to the visual and performing arts programs at American University and the American University Museum, and has prominently included Ms. Harrison's portraits in their artist catalogues and on line, including Jacob Kainen and Sam Gilliam. Ms. Harrison's portraits have also been frequently published in The Washington Post, featuring David Driskell, and The Washingtonian Magazine, profiling Arnold Kramer, William Dunlap, Clara Bingham, and others.
She recently began working with digital photography and has since entered a new world of color images and creating books, including her most recent:
Los Patos Surrealistas de España.
Since 1982 Carol Harrison's portraits have been showcased in The Antietam Review, an award-winning literary and photography magazine, published by the Washington County Arts Council. The Florida Department of Cultural Affairs published her photographs in Kalliope with an Artist Honorarium. Portraits by Carol Harrison, including "Lou Stovall On How People Can Make a Difference," were also published in KOAN, A Newsletter for Art Collectors and Art Professionals in the Washington, D.C. Metropolitan Area. Carol and Lou have worked together on a number on projects for thirty years, including as participating Artists in "Voice of the Praire" to benefit the Source Theatre Company in Washington, D.C. A portrait of Ed Love was included in The Photo Review's National Photographic Competition and featured in the Summer issue, Langhorne, PA.
The Phillips Collection, Washington, D.C., is America's first museum of modern art, and has selected many of Ms. Harrison's portraits of artists to use in the museum publications. The Katzen Arts Center is home to the visual and performing arts programs at American University and the American University Museum, and has prominently included Ms. Harrison's portraits in their artist catalogues and on line, including Jacob Kainen and Sam Gilliam. Ms. Harrison's portraits have also been frequently published in The Washington Post, featuring David Driskell, and The Washingtonian Magazine, profiling Arnold Kramer, William Dunlap, Clara Bingham, and others.
She recently began working with digital photography and has since entered a new world of color images and creating books, including her most recent:
Los Patos Surrealistas de España.
Selected Solo Exhibits
Kathleen Ewing Gallery, Washington, DC, Intercultural Center, Georgetown University, Gallery 4, Alexandria, VA, Reynolds/Minor Gallery, Richmond, VA, Swidler & Berlin, Inaugural Exhibition, Washington, DC, The Martin Gallery, Washington, DC, The National Strategy Information Center, Washington, DC, Crowell & Moring, Inaugural Exhibition, Washington, DC, Covington & Burling, Washington, DC, Arnold and Porter, Washington, DC, Rizzoli International Bookstore and Gallery, Washington, DC, The Peninsula Fine Arts Center, Newport News, VA, Jean Efron Associates, Washington, DC.
Kathleen Ewing Gallery, Washington, DC, Intercultural Center, Georgetown University, Gallery 4, Alexandria, VA, Reynolds/Minor Gallery, Richmond, VA, Swidler & Berlin, Inaugural Exhibition, Washington, DC, The Martin Gallery, Washington, DC, The National Strategy Information Center, Washington, DC, Crowell & Moring, Inaugural Exhibition, Washington, DC, Covington & Burling, Washington, DC, Arnold and Porter, Washington, DC, Rizzoli International Bookstore and Gallery, Washington, DC, The Peninsula Fine Arts Center, Newport News, VA, Jean Efron Associates, Washington, DC.
Selected Group Exhibits
The Corcoran Gallery of Art, Washington, DC; The Cultural Palace, Beijing, China; The Polish History Museum, Warsaw, Poland; The Virginia Museum of Fine Arts, Richmond, VA; James/Schubert Gallery, Houston, TX; Washington County Council Arts Gallery, MD; Marymount University, VA; The Museum of Contemporary Art, Washington, DC; The Swedish American Museum, Chicago, IL; Joan Kuyper Farver Art, Pella, IA; The Contemporary Museum, Baltimore, MD; ARTSCAPE, Meyerhoff Gallery, Baltimore, MD; Touchstone Gallery, Washington, DC; The Dallas Museum of Art, Dallas, TX; Artwest Open Competition: Gamplex, Gillette, WY, Sheridan Arts Council, Sheridan, WY, University of Wyoming Art Museum, Laramie, WY, Sangre de Cristo Art Center, Pueblo, CO, Pinedale Fine Arts Council, Pinedale, WY, Wyoming State Museum, Cheyenne, WY, Nicolaysen Art Museum, Casper, WY, Western Wyoming College, Rock Springs, WY; Strathmore Hall Arts Center, Rockville, MD; The Kathleen Ewing Gallery, Washington, DC; PASS Gallery, Washington, D.C.; The Southeast Exhibition at Center Gallery's "In Pursuit of Excellence," NC; The Art Institute of Pittsburgh Gallery, Pittsburgh, PA; The Art Gallery, The University of Maryland, College Park, MD; The Fendrick Gallery, Washington, DC; The Washington Project for the Arts, Washington, DC; O'Melveny & Myers, Washington, DC; Rockville Arts Place, Rockville, Md, The Touchstone Gallery's National All-Media Exhibition, Washington, D.C., Peninsula Fine Arts Center, Newport News, VA; D.C.; New Art Examiner's Heartworks III, Washington, D.C.; Virginia Intermont College, Main Gallery Fine Arts Center and Baldwin-Wallace College, Fawick Gallery; The Franklin Street Gallery, Hagerstown, MD; Photoworks, Glen Echo, MD; Times Journal Company, Springfield, VA; Willow Street Gallery, Washington, DC; futurestudio on line.
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Photographs purchased for the permanent collections of:
The Virginia Museum of Fine Art, Richmond, VA, The Corcoran Gallery of Art, Washington, D.C., The National Strategy Information Center, Washington, D.C., Arnold and Porter, Washington, D.C., Swidler & Berlin, Washington, D.C., United States Automobile Association, Reston, VA, United Virginia Bank, Richmond, VA, The Washington Post, Washington, D.C., Maguire, Woods, Battle & Booth, Richmond, VA, Howrey & Simon, Washington, D.C., Virginia Power, and additional private collections. Photographs also included in the permanent collections of: The National Gallery of Art, Washington, D.C., The National Portrait Gallery, Washington, D.C., The Addison Gallery of American Art, Philips Academy, Andover, MA., The Archives of American Art, Washington, D.C., Hirshhorn Museum and Sculpture Garden Archives, Washington, D.C., The National Museum of Women in the Arts, Washington, D.C., The United States Holocaust Memorial Museum, Washington, D.C., The Mississippi Museum of Art, The Ogden Museum of Southern Art, New Orleans, LA, The Polish History Museum, Morrison & Foerster, Washington, D.C., Morrison & Heker, Kansas City, Missouri, National-Nederlanden, U.S. Corporation, O'Melveny & Myers, Washington, D.C., The Williams Companies, Tulsa, OK, The David C. Driskell Center, for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, The University of Maryland, College Park, MD, The American Center of Polish Culture, Washington, D.C., The Washington Post, Washington, D.C., and additional museums and private collections. Education MFA, Fine Art Photography/Portraiture. Studied with John Gossage. Advisors: Sam Gilliam, Claudia DeMonte, Anne Truitt at The University of MD/College Park; BS School of Foreign Service, Georgetown University, Washington, DC; Université de Bourgogne Dijon, France; St. Petersburg State Polytechnical University, St. Petersburg, Russia. |
Dear Ms. Harrison,
Bill Dunlap is donating a photograph to the Mississippi Museum of Art by you of Jacob Lawrence and Gwendolyn Knight Lawrence in Lou Stovall's studio... Title: "Jacob and Gwen Lawrence in Lou Stovall's Studio" Washington, D.C. 1995. We're delighted with the photograph. I'll be presenting it to our acquisitions committee today. Sincerely, Beth Batton Curator of the Collection The Mississippi Museum of Art 12.31.08 |
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"(FIRST VIEWING) NEW PHOTOGRAPHERS IN WASHINGTON" Washington Project for the Arts, 1981 "With this exhibition, we inaugurate our new space with the work of Washington artists and we strengthen our commitment to the presentation of contemporary photography." Al Nodal "Washington is now a city in which art is taken seriously; it is actively encouraged, supported and viewed with an increasing level of discrimination and sophistication. Major museums and galleries have not only increased the amount of time and space devoted to photographic exhibitions, but also, the quality of the work shown. The participants in the exhibition, First Viewing, are discriminating and uncompromising individuals...They have maintained a serious and enthusiastic approach to their art that is refreshing. Their work displays imagination, spirit, understanding and taste. This exhibition comes very early in the careers of ...Carol Harrison ...For them this exhibition is intended to instill a sense of pride in their accomplishments, confidence in their work and encouragement to pursue photography....Being exceptionally talented and personally motivated, the level of success that they achieve as artists will equal the height of their own aspirations." John Balfour McIntosh |
DEZINFORMATSIA Active Measures in Soviet Strategy By Dr. Roy Godson and Dr. Richard Schultz Book cover graphic design, Russian photographs, including Yuri Andropov, Soviet float protesting the proposed deployment of US neutron weapons, V.I. Lenin, KGB Headquarters in Moscow, and portraits of the authors by Carol Harrison. |
"LET THE ART BE FIRST"
Catalogue by
Washington Women's Art Center
Washington, D.C.
1986
Photographs of artists:
Sylvia Snowden
Denise Ward-Brown
Joyce Wellman
by Carol Harrison
Introduction by Sam Gilliam
Catalogue by
Washington Women's Art Center
Washington, D.C.
1986
Photographs of artists:
Sylvia Snowden
Denise Ward-Brown
Joyce Wellman
by Carol Harrison
Introduction by Sam Gilliam